What then should inform the Christian imagination that inclines the heart towards union with God and ordinate love? If God’s beauty is the ultimate motivator of love, then the Christian life should have the idea of God’s beauty at its very core. We’ve defined beauty as “the Most Lovely loving the Most Lovely”. This came from Edwards’ definition of beauty: “being’s cordial consent to being in general” .
At this point, it will be helpful to summarise our argument in five steps.
Step one: God’s beauty is his love for his own being.
Step two: God’s beauty is perceived and apprehended by love for God.
Step three: This love must be a correspondent love: one which corresponds with God’s love in degree and nature.
Step four: Love is a desire and cannot be willed directly. Correspondent love must be cultivated.
Step five: There are four ways that correspondent love can be cultivated: imagination (the pattern), nature (the position), exposure (the process), and nurture (the practices).
a) The pattern for correspondent love: the dominant but background Christian imagination of ultimate reality, the telos towards which holy desire moves for union.
b) The position for correspondent love: ontological union with Christ through the triune work of God in salvation, which reveals God and his presence and gives the answering holy desires.
c) The process of correspondent love: the cycle of experiential union, seeking to love God ordinately, and to confess and forsake failures to do so. A disposition of consent or humility-faith-love, must be present, where through which experiential union with God is sought.
d) The practices for correspondent love: deliberate habits that illustrate and cultivate these three. Holy desire is taught, shaped, and expressed through these practices. The order of these four is not strictly hierarchical. One could argue that positional union comes first, making the other three possible. One could likewise begin with the practices, since they shape and affirm the other three. The process could also be foregrounded, as nearest to the actual performance of the three forms of ordinate love. The point is that they are more cyclical and interdependent than sequential and distinct.
The Pattern for Correspondent Love
The pattern for correspondent love refers to what Richard Weaver termed one’s “metaphysical dream”. The word dream reminds one that it is not always a conscious vision, as much as a vision that stands as the background of all conscious choice